Shifting Art

Copyright is for losers Ninotchka Art Project

With the appropriation, manipulation and edition of a big quantity of images and sounds, I make a new piece that questions the limits of the copyright and of the originality of the work of art.

InharmoniCity Selfish and USO Project

There are places where consciousness and matter coexist. Perhaps they share the same origin. We learn that collective consciousness is shared among human beings, dynamically redistributing itself via unknown processes. It permeates objects themselves and contributes to reality in its entirety. We can perceive only a small part due to our biological nature and our tools for..

Cest la vie! Silvia de Gennaro

A life at the bus stop.

Sweet Matthieu Cherubini

The idea of this work was to do a video without any pre-ideas/stories/guidelines/..., the only “data” allowed was the song Sweet composed by Alessandro Ratoci. Whole visual part appeared instinctively by listening to that song, in order to create an osmosis and a strong relation between sound and images.

In the train Elton Eerkens

A post modern look at the daily life. Two men in a train are having a conversation about seclusion, illness and women.

Near the wall Elton Eerkens

A woman is waiting. Standing against a wall and walking around nervously.

As angels under the snow Luana Visciglia

The End of the Winter. The sun.

Possible Cities Lemeh Fourtytwo

Possible Cities is a DVD composed by 26 short animations. Each animation lasts 60"" and corresponds to a letter of the alphabet. The Possible Cities cannot be recognizable, we have called them starting from a letter of the latin alphabet with names that we have invented, each of them corresponding to its particular nature and peculiarity. Our intention is to reflect on the..

Blue Tower 2 Tessa Garland

Blue Tower (2) is a sequence of long shots on the journey into and around a large retail park in East London. The film creates an implied narrative that is influenced by science fiction movies. This atmospheric work attempts to address the irony of consumerism and the underlying darker forces that underpin such superstores.Blue Tower (2) was shot on Super 8 film and then..

No 1 Wilwyne Cresent Tessa Garland

No 1 Wilwyne Crescent takes the viewer on a short walk around a suburban model house. The atmosphere of oppressive safety is broken by a surreal and other worldly force that lurks within the confines of the greenhouse. The idea of theatricality and artifice is prominent in the work. Early science fiction films such as The Day of the Triffids and Revenge of the Bodysnatchers..

Confined 10-01-2 Russell James Chartier

Program Notes Russell Chartier Confined 10-01-2 In this piece Chartier explores the sense of confinement that many people feel living in large cities despite the many people around them. This piece was created using manipulated footage shot throughout NYC. Many of the textures and footage used in this piece are feedback loops uplinked to Satellites then down-linked back to..

Thayn Tyha Hai Colliderscope AudioVisual

A music video for composer/vocalist Fiona Soe Paing using found objects and drawings by Harriet Hannah-Wickes (aged 5). The song is taken from the album "No Man"s Land" and is sung in an invented "No Man"s Language" . The original font and alphabet were designed by Daniel Burman. ***** The Sun and Moon fall hopelessly in love, but they can never meet. Not, that is, until..

Where the Water Breaks... Z Collective

The shoreline exists as a unique point of conflux – a meeting place of land, sea, sun and humanity - transformed through a child’s imagination and memory into a convergence point and a place of union.

Pursuit of Happiness Z Collective

A walking waking victim of the American Dream, slowly drowns in a pool of narcissistic self-reflection.

Wil je me voeren aan de krokodillen Manon Bovenkerk

Geanimeerde videoclip voor een liedje van Goslink, waarin een aap verlangt naar vrijheid, mooie meisjes en het oerwoud, terwijl de stad rondom hem langzaam in verval raakt.

Masking for serene velocity Heat Shot 3 Yeonjeong Kim

”Masking for serene velocity- Heat Shot 3” is the third part of HEAT SHOT series from 2007 and also an independent piece made by hand-process on 35mm film. Referring to Ernie Gehr’s masterpiece “Serene Velocity”, it explores the speed and movement between ordinary signs and memories. The collision between 16mm and 35 mm film creates new movement and new meanings of..

For Sore Eyes Anders Weberg

“For Sore Eyes” is another exploration of the ambivalence of the male gaze and gendered (dis)order. It is a suggestive reflection of life in the pyrotechnic in sanatorium of consumerism freedom. But what is really freedom? "For Sore Eyes" est une autre exploration de l"ambivalente contemplation masculine et du (dés)ordre qu’elle engendre. C"est une réflexion suggestive..

Mamo Anders Weberg

MAMO - MOTHER // by Anders Weberg duration 2.30 min / August / 2008 Video and Sound by Anders Weberg Filmed with mobile phone. ( Nokia N82 Black) Senses and memories of motherhood evoked by visiting Birkenau (Auschwitz II) in Poland July 2008.

Undisclosed Beauty Anders Weberg

English: "Just because You spit in my eyes does not mean that I have clear vision" French: "Quoi que vous me crachiez dans les yeux, je ne vois pas clairement" Spanish: "Por más que escupas en mis ojos no tendré la visión más clara" Awards: -Best Experimental film: Filmski Festival 600, Ljubljana, Slovenia. May 2008. -Best in Show: Oculi Experimental Film Showcase, Bottega..