Screen Control - July 5th edition 2010
The Screen Control program is composed with films that focus on the image. By using different techniques and methods to alter, modify or reconstruct images, either still or moving, in an unconventional way. The screen is a canvas and an integral part of these works, which invites the viewer to interpret them at the comfort of their own curiosity and imagination. FOLD is a multi-channel audio-visual installation, it presents a visual echo of the present instance: it takes an unexamined moment and gives it life. It is the second video from my current series of works called Video Choreographies, the mass repetition of small..
It is already time to go back to the small room rented in a Madrilean suburb where the presence of different languages and cultures reminds us about the experience of being foreigners. Latin American women workers migrating to different countries in the Western World,..
I am preoccupied with that which can be seen and what attracts our gaze. I find it fascinating that the body of a woman is captivating beyond comparison. As she moves through a space all eyes fall on her. She is alluring by choice or is victimized by the glares of..
2001: a space odyssey was produced in 1968, and raised the bar in audience expectations towards the science fiction genre. those newly introduced aesthetics were not only implemented in the futuristic props, also the camera followed a very stringent and minimalist..
Splendour and decadence of sex.
Remixed footage from the film mambo by robert rossen. A ghostly mirrored image of Silvana Mangano incessantly shifts from beauty to beast. Soundtrack out of "fds" by ocp.
O is a snowy planet where life appears and disappears in an uncanny way, following cosmic movements and mysterious laws. It’s a white land where meteors die in the middle of pearly eggs - like eyes without pupils.
Unbelievable (2010) is based on a true story of a life-long resident in Musrara, Jerusalem, bearing documentary value. The multitude of miniature stories told by the..
A journey of rhythmic emotional turmoil.
Film 8 - The Treasure House of Bloody Morgan (0:55, 2010) - Alex Pearl
On of 17 Automatic Films made as part of "Pearlville" a two week residency based in Islington Mill Salford
A score for four waters
audio-visual installation
“thus, water is the gaze of the earth, its instrument for looking at time.”
-- Paul Claudel
Audio- visual installation stresses time component of the video medium. it borrows terms and measures from musical vocabulary..
The video ‘The Body with Cameras’ attempts to hide and reveal the artists body by creating layered views. The work aims to draw attention to the relationship of power, where objectification, opency and pleasure co-mingle. I use my naked body to challenge notions..
The video ‘Body with Screens’ pays homage to early Video Art, Feminism and Art and Body Art. The work is set in the artists home, which adds a personal and home-made quality to the work, this re-iterates the presence of the artist. Cameras and monitors are used..
"I’m a Father and my Father is a Father."
16:9
2:18min
June 2 - 2010
Filmed with a mobile phone upscaled in post.
Video and Sound by
Anders Weberg
Participants:
Jan Weberg
Anders Weberg
André Weberg
Dualism
August 6 - 2010
Duration: 2.15
Video and Sound by Anders Weberg
Video and Sound by Anders Weberg
"For the first time since I started using moving images back in the S-VHS days I aimed a camera at myself. "
Filmed with mobile phone..
The concept of recording each day for 365 days is an exercise in the awareness of the passage of time . The work becomes a memory of each days existence marking its irretrievable loss. In this loss I have retained a visual pleasure that remains as an ode to the past. I..
