The Video Potential of Experimental Sequential - May 2010
Program
The Video Potential of Experimental Sequential is a Video Art exhibition curated by Artist Ryan Seslow. The program emphasizes the medium of digital video and computer based editing software as a means of expression and communication. The purpose of this exhibition is to survey, inspire, expose, and raise the awareness of motion related art through the medium of video.
The works exhibited feature an array styles and techniques of both established and emerging artists.
www.theongoingrms.wordpress.com
Download the VSEP catalogue (pdf file)

The works exhibited feature an array styles and techniques of both established and emerging artists.
www.theongoingrms.wordpress.com
Download the VSEP catalogue (pdf file)

Cravings and Triggers (3:00, 2010) - Lindsey Graham
Cravings & Triggers is the second music video created for the band Lowlight, as part of their second visual album project, A Beautiful Lie: A Visual Album. Visually engaging, A Beautiful Lie: A Visual Album is a compilation of music videos representing each song on the..
Current Charges (7:50, 2010) - Dustin Klare
Motion begins as computer-generated debris orbit the central, cavity-filled forms. Patterned orbs appear from inside these wells, agitatedly flying/swimming/floating towards and eventually off the edge of the viewing screen. A brief pause is followed with only two orbs..
Un poco mas (2:40, 2010) - Jerelyn Hanrahan
Jerelyn Hanrahan is an internationally accomplished artist, professor and curator. Her two and three-dimensional, public sculpture, museum and gallery installations, video and digital work are exhibited, published and awarded throughout North America and Europe. Ms...
Animatronic (2:00, 2010) - dNASAb
[dNASAb] Holds a BFA in Sculpture and Mixed Media from Florida State University and has attended an International Summer Residency at the Experimental Television Center (2006), Owego, NY, where he worked with the Wobulator Nam Jun Paik’s pioneering video..
Feedback Chronicles (8:42, 2008) - Javier Cambre
Feedback Chronicles exists as a single channel video and as a multichannel video installation. The feedback of a bass player seems to regulate the actions of several people, actions with nowhere to go, actions that just uncannily mark the passage of time within an..
Beauty of her (2:17, 2010) - Lindsey Graham
The Beauty of Her started with an e-mail from the other side of the continent. I was asked to create a music video for the band Lowlight as part of a project called Bloodline: A Visual Album. The purpose of this project was to screen an albums worth of music videos in..
Transmission (2:03, 2010) - Meredith Toto
This video piece connects the idea of the virus as both biological and electronic transmission. As simultaneously an organic contagion and a psychological fear, it infiltrates the body invisibly. Its influence is as far reaching as the anxiety it creates, completely..
Vulcan de Masaya (11:51, 2010) - Jim Nestor
The video Vulcan de Masaya was a documentation of a performance by Nestor at the Mouth of Hell. Masaya is an active volcano in central Nicaragua. In earlier times this volcano was a site for Indian Shaman rituals, including the sending of young women into the volcano...
To be seen (26:40, 2005) - Alice Arnold
To be seen - a documentary on street art by Alice Arnold To Be Seen is a study of visual culture, of urban culture and an exploration of an age-old urban cultural phenomenon, street art. This form of art, that is not a commodity (there is no price tag), that is..
The Russians are Coming (0:39, 2010) - Nicole Tschampel
The Russians are Coming is a video created using appropriated clips from the 1966 American comedy film, The Russians are Coming, The Russians are Coming. The movie tells the Cold War story of the comedic chaos which ensues when a Soviet submarine accidentally runs..
