For more information
http://www.zoomerfilm.com
http://www.samhuntley.com
]]> BA Hons in Graphic Design at the University of Brighton in 2002.

He made his first short film, Polish your shoes in 2003, winning 9 film awards including Best Experimental Short Film / Melbourne International Film Festival 2004, Special Jury Prize / Mediawave Hungary 2005 and Time Out Film Critics Award for Best London Film 2005.

In 2004 it won Best International Short / 49th Cork International Film Festival 2004, where it shared the award with Andrea Arnolds Oscar-winning film WASP, and was short-listed at over 30 International Film Festivals.
It was also acquired for the BFI Film Archives and was included in London Calling, a permanent collection of the 100 definitive films about London which launched the new BFI Southbank building.

The film Polish your shoes was featured in the June 2010 program: http://www.streamingfestival.com/program/systems.php
ZOOMER is Sams feature-length debut.

===Awards (Polish your shoes)===Special Jury Prize / Mediawave Hungary 2005, Hungary
Raindance East Jury Award for Best Short Film 2005, London
Time Out Film Critics Award for Best London Film 2005, London
Best International Short Film / 49th Cork International Film Festival 2004, Ireland
Best Experimental Short Film / Melbourne International Film Festival 2004, Australia
Generations In Movement Award / 9th Siena International Short Film Festival 2004, Italy
Best Fictional Short Film / BBCs Night Of Many Stars 2004, London
Judges First Prize / Big Issue Film Festival 2003, London
Audience Award / Big Issue Film Festival 2003, London

Read more on Huntley and Polish your shoes: http://www.streamingfestival.com/artists.php
Official website: http://www.samhuntley.com]]> Augsburg, faculty for design, 2010.
The return of John Frum was conceived, designed and entirely animated by Christian Schlaeffer.

===About the film===John Frum, Messiah of polynesian Cargo Cults, returns as an astronaut and businessman to the post-industrial wasteland of the financial-service-economy. Together with a native, he sets out for a conquest of the useless. then things get confused, and what begins as a journey turns into a trip far off the boundaries of so called logic and meaning.
*Animation; 7,5 minutes
*1920x1080px
*25fps

This film is licensed under a creative commons 3.0 License. You may show and distribute this film non-commercially. If you need a commercial license please contact: christianatschlaefferdesigndotde

This film was featured in the June 2010 program: http://www.streamingfestival.com/program/systems.php|Systems June 2010 program

Image:http://www.streamingfestival.com/wiki/wiki-images/THERETURNOFJOHNFRUM_2.jpg

Image:http://www.streamingfestival.com/wiki/wiki-images/THERETURNOFJOHNFRUM_4.jpg

Image:http://www.streamingfestival.com/wiki/wiki-images/THERETURNOFJOHNFRUM_8.jpg]]> *2008 AGENT ORANGE READY, Animation
*2010 Diploma in Graphic-Design at the University of Applied Sciences Augsburg
*2010 THE RETURN OF JOHN FRUM

Christian Schlaeffer has collected experience as illustrator, graphic designer, concept artist, storyboarder, animator, matte-painter, editor, cameraman, sfx-supervisor, compositor and 3d-modeller and is available for any kind of work thats interesting.

Read more on Schlaeffer: http://www.streamingfestival.com/archive/2010/artists.php?id=827&f=Christian&l=Schlaeffer|Artists database]]>
In 1998 Cambre graduated from the School of the Art Institute of Chicago with a Master of Fine Arts. Javier Cambre has exhibited his work at the 2002 Whitney Biennial, P.S. 1 Contemporary Art Center, the Brooklyn Museum, the Sculpture Center, the Center for Curatorial Studies at Bard College and the Moore Space in Miami.

He has also exhibited his work in museums in Spain, Puerto Rico, Russia and Argentina. Cambre has been awarded residencies at the Headlands Center for the Arts in Sausalito, California, and at the National Studio Program in P.S. 1/MoMA, as well as artist grants from the New York Foundation for the Arts, the National Association of Latino Arts and Culture, the New Jersey Council on the Arts and the Research Foundation at the City University of New York.

Javier Cambre is currently an Assistant Professor at QCC-CUNY. His work is in the collection of the Whitney Museum.

Javier Cambre has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/JavierCambre.jpg]]>
Meredith is a New York based artist who has exhibited in such galleries at the Mill Pond House in St James and the Pen and Brush Gallery in New York City, and is preparing for a solo exhibit at Something Special in Kingston, PA.
Her artworks from past series, such as BandAid and Love, have been selected for awards by Justin Camino and Morley Safer respectively. She looks forward to earning her MFA degree from Long Island University in the spring of 2011.

Meredith Toto has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/MeredithShapiroToto.jpg]]> He also holds a Bachelor of Fine Arts & Masters of Art (Studio Sculpture) from Kent State University, where he studied with Joseph Konzal. At Kent, he was a student for both Robert Smithsons Partially Buried Woodshed and the tragic shootings on May 4..

Early on, he was an artist and a blues musician. Nestor had an expected exhibition and lectures with the University of Zagreb, Croatia in the Fall of 2008. He has exhibited works throughout the United States and Europe for over 30 years.
In 2007, he received the Fulbright Senior Specialists Fellowship to write new curriculum and assist with a new university level art school in Managua, Nicaragua.
He also spent a month in 2007 doing a video work and researching the history of fountains on the island of Hvar in the Adriatic Sea, Croatia.

His recent artworks have been non traditional projects and performances on sites ranging from the Masaya Volcano in Nicaragua, to a performances in London, Seattle, Venice and Atlanta. He walked in Nanjing University, China blindfolded, again playing a saxophone. Other projects have included a 30 ft. wide banner with the image of one of his sculptures, hanging from a partially damaged building in Sarajevo, Bosnia; playing a whistle while students garbed in magazines from Poland and Germany paraded around him with torches, in Kaziemierz, Poland.
Nestor was covered in blue cloth, playing the saxophone for a Subway performance in New York City. Nestor has also initiated exchange programs with the University of Zagreb, University of Ljubljana, Slovenia, and Opole University, Poland.

As a visiting artist, James Nestor has guest taught and lectured throughout the United States, Europe, Central America and China.

Jim Nestor has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/JimNestor.jpg

]]>
Her first film, To be see a documentary about street art, public space and the urban environment was broadcast in July 2006 on REEL/NY (WNET/PBS), screened at the Museum of Modern Art in October 2006 and is distributed by Icarus Films.

Her second film, Teeth, also distributed by Icarus films, was premiired at the Museum of Modern Arts Documentary Fortnight, an annual showcase of non-fiction film and video (February 2008).

In 2007 she was the recipient of a Fulbright Fellow in Filmmaking (Hong Kong). Her fellowship project is a non-fiction film, Electric signs, which is about signs and screens.
In addition to making media she also teaches media studies and media production and is currently teaching at Parsons, the New School for Design.

Alice Arnold has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/AliceArnold.jpg

]]>
Her sculptural works and videos have been included in multiple national and international exhibitions most recently Feel Good, Feel Bad Boys and Girls, at Lange Gasse 28, in Augsburg, Germany, Painting 2008, at The Gallery Project, Ann Arbor, Michigan and most recently Queens International 4 at The Queens Museum of Art in Flushing, Queens.

Nicole Tschampel has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/NicoleTschampel.jpg]]>
I wonder around the cityscape doubting if it is real. I cannot believe life exists in fact. I guess the world feels the same about me. It is a relation of absolute distrust.
I made a habit of watching the streets and finding in them imaginary scenes and landscapes. Do they exist? Have I created them? Do other people see? It doesnt matter, as everything is equally delighting. I relate to them as I do with anyone else who approaches me in order to greet me, or to mourn or to nag, or even to reassure we have met before. No, I do not know them. And they dont me either.
We live in common insulation, through floating bubbles that occasionally meet without us having to compromise our comforting integrity masks.
Through photography, I learnt a new dimension. The dimension of the framing. My relationship with the world is now inevitably struck by this new parameter. Everything is a matter of angle of approach, zoom intensity or chromatic correction. It made possible for the banal to become sublime and vice-versa. As if the real is not compulsory anymore. It is just a matter of choice.
That is my choice, I believe. To populate the city with zooms and crops, proffering my own life with a more accurate framing.
Miriam Homem de Mello, Sao Paulo January 2010

http://www.miriamhmello.com|www.miriamhmello.com

Image:http://www.streamingfestival.com/img/news/serra.jpg]]>
Dustin Klare has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/DustinKlare1.jpg]]>
In 1998 Cambre graduated from the School of the Art Institute of Chicago with a Master of Fine Arts. Javier Cambre has exhibited his work at the 2002 Whitney Biennial, P.S. 1 Contemporary Art Center, the Brooklyn Museum, the Sculpture Center, the Center for Curatorial Studies at Bard College and the Moore Space in Miami.

He has also exhibited his work in museums in Spain, Puerto Rico, Russia and Argentina. Cambre has been awarded residencies at the Headlands Center for the Arts in Sausalito, California, and at the National Studio Program in P.S. 1/MoMA, as well as artist grants from the New York Foundation for the Arts, the National Association of Latino Arts and Culture, the New Jersey Council on the Arts and the Research Foundation at the City University of New York.

Javier Cambre is currently an Assistant Professor at QCC-CUNY. His work is in the collection of the Whitney Museum.

Javier Cambre has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/JavierCambre.jpg]]>
Meredith is a New York based artist who has exhibited in such galleries at the Mill Pond House in St James and the Pen and Brush Gallery in New York City, and is preparing for a solo exhibit at Something Special in Kingston, PA.
Her artworks from past series, such as BandAid and Love, have been selected for awards by Justin Camino and Morley Safer respectively. She looks forward to earning her MFA degree from Long Island University in the spring of 2011.

Meredith Toto has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/MeredithShapiroToto.jpg]]> He also holds a Bachelor of Fine Arts & Masters of Art (Studio Sculpture) from Kent State University, where he studied with Joseph Konzal. At Kent, he was a student for both Robert Smithsons Partially Buried Woodshed and the tragic shootings on May 4..

Early on, he was an artist and a blues musician. Nestor had an expected exhibition and lectures with the University of Zagreb, Croatia in the Fall of 2008. He has exhibited works throughout the United States and Europe for over 30 years.
In 2007, he received the Fulbright Senior Specialists Fellowship to write new curriculum and assist with a new university level art school in Managua, Nicaragua.
He also spent a month in 2007 doing a video work and researching the history of fountains on the island of Hvar in the Adriatic Sea, Croatia.

His recent artworks have been non traditional projects and performances on sites ranging from the Masaya Volcano in Nicaragua, to a performances in London, Seattle, Venice and Atlanta. He walked in Nanjing University, China blindfolded, again playing a saxophone. Other projects have included a 30 ft. wide banner with the image of one of his sculptures, hanging from a partially damaged building in Sarajevo, Bosnia; playing a whistle while students garbed in magazines from Poland and Germany paraded around him with torches, in Kaziemierz, Poland.
Nestor was covered in blue cloth, playing the saxophone for a Subway performance in New York City. Nestor has also initiated exchange programs with the University of Zagreb, University of Ljubljana, Slovenia, and Opole University, Poland.

As a visiting artist, James Nestor has guest taught and lectured throughout the United States, Europe, Central America and China.

Jim Nestor has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/JimNestor.jpg

]]>
Her first film, To be see a documentary about street art, public space and the urban environment was broadcast in July 2006 on REEL/NY (WNET/PBS), screened at the Museum of Modern Art in October 2006 and is distributed by Icarus Films.

Her second film, Teeth, also distributed by Icarus films, was premiired at the Museum of Modern Arts Documentary Fortnight, an annual showcase of non-fiction film and video (February 2008).

In 2007 she was the recipient of a Fulbright Fellow in Filmmaking (Hong Kong). Her fellowship project is a non-fiction film, Electric signs, which is about signs and screens.
In addition to making media she also teaches media studies and media production and is currently teaching at Parsons, the New School for Design.

Alice Arnold has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/AliceArnold.jpg

]]>
Her sculptural works and videos have been included in multiple national and international exhibitions most recently Feel Good, Feel Bad Boys and Girls, at Lange Gasse 28, in Augsburg, Germany, Painting 2008, at The Gallery Project, Ann Arbor, Michigan and most recently Queens International 4 at The Queens Museum of Art in Flushing, Queens.

Nicole Tschampel has been featured in the May program http://www.streamingfestival.com/program/video_potential_of_experimental_sequantial.php|Video potential of experimental sequantial

Image:http://www.streamingfestival.com/archive/2010/stills/NicoleTschampel.jpg]]>
*Director Sean Dunne
*Editor Galen Summer
*Director of photography Ed David
*Released in 2008
*Running time 8 minutes 35
http://www.streamingfestival.com/archive/2010/artists.php?id=819&f=Sean&l=Dunne|Sean Dunne on the Streaming Festival
http://www.veryapeproductions.com|Website veryapeproductions

Image:http://www.streamingfestival.com/archive/2010/stills/sean_dunne1.png Image:http://www.streamingfestival.com/archive/2010/stills/sean_dunne2.png Image:http://www.streamingfestival.com/archive/2010/stills/sean_dunne3.png]]> His film The Archive has been featured in the April program: http://www.streamingfestival.com/program/document.php|Document
Read the http://www.streamingfestival.com/program/special-artists/interview.php?id=110&f=Sean&l=Dunne|interview with Sean Dunne for more information.

http://www.veryapeproductions.com|Website veryapeproductions

image:http://www.streamingfestival.com/wiki/wiki-images/seandunne.jpg|seandunne]]>
One of its projects was featured in the April program http://www.streamingfestival.com/program/document.php|Document on the Streaming Festival with the film http://www.streamingfestival.com/archive/2010/artists.php?id=818&f=Colby&l=Allen|West Texas.
This film was directed by Colby Allen and produced by Emily Sieker.

http://youandyoursproductions.com|You and yours website

Image:http://www.streamingfestival.com/archive/2010/stills/colby_allen1.png Image:http://www.streamingfestival.com/archive/2010/stills/colby_allen2.png Image:http://www.streamingfestival.com/archive/2010/stills/colby_allen3.png]]>
The singularity of Gianfranco Foschinos videos lies on the landscape sensibility of his voyeuristic act.

He confronts us to specific and common situations. I say common , because they dont respond to any planning nor they contain any interest in pre-determined screenwriting. Only to the choice of the frame.

Within a fixed and steady camera, no effects and post-production treatment, he hides the eye that observes a minimal situation in popular, and often, rural landscapes.

Some sort of postcard photography in digital video, real time, natural movements, own light and cinematic framing.
His videos are silent (lets say it is the only thing the artist manipulates in his work). This silence connects us directly with painting, enclosing aesthetic and historical aspects of that discipline, creating and exposing a natural sensitivity with the visual and at the same time, separating the narrative from the action or cinematic function.

It is the framing of space, working as documentary illustration, both abstract and concrete.

Small movements reveal infinitely unimaginable contexts, and evoke any place in the world, making of his work, universal pieces.
This artist (educated under Cinemas principles), shows and proves us with his videos, the beauty and simplicity of reality , and allows us to see time in different ways (depending on the images he chooses). We could call that pictorial window or time fragments , letting emerge the mixture of photography, movement and painting.

Melania Lynch.
Visual Artist

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Malcorps started photography to bring out the banal into a new light. She found her style playing with shadows and light to bring out a subjects personality, emotions but most of all to emphasize a certain truth unveiling in front of her camera.
Malcorps has got a lengthy experience in documentary photography and portraiture training from one of Englands most successful independent studios.

http://www.emiliemalcorpsphotography.com|Website Emilie Malcorps

image:http://www.streamingfestival.com/wiki/wiki-images/5-image-bis-2.jpg|5-image-bis-2
Sourires Ruveillus

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