Composition, rythm and color of contemporary art, allied to synthetic purity and inducted visual from Eastern classical art. To relieve the object from its acquired qualities to restrict it to its primal shape. Concise and intimate, this results fom catching atmosphere and effect, randomized occurrence and movement.
Subjective movement versus objective movement or non-movement; horizontal versus vertical movement ,capturing passage of elements from permanent to impermanent status. Missed image, the next instant, between split seconds of view, vision, pressure and shoot.
Scealed time. Vision effect, correct though blurring speed. More space for imagination.

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