Igor Bosnjak - 13 photos
5:22, 2008The film - which directly originates from a photograph - here in an ontological way becomes a photograph, since that what is being filmed is the still frame, in other words a static frame.
The specific photo punctum and the sound imply that it is a video recording, but habit and perception make us believe it is in fact a photograph. This piece of work actually proposes the idea that there is only a slight difference between the two media depending on their perceptive and technological context.
DirectorIgor BosnjakProducerIgor BosnjakWriterIgor BosnjakCameraIgor BosnjakEditorIgor BosnjakCrewSlađana Zrnić
Miroslav Trifunović
Marija Pikić
Željko Milošević
Igor Svrdlin
Darko Kurtović
Vedrana Miletić
Amel Ugarak
Dragan Lambić
Sandra Jokić
Branko Deretić
Vesna Đurić
CountryBosnia and HerzegovinaEdition2009 Screenings3th Kratkofil Film Festival, Banja Luka, Bosnia
< overview
Who is Igor Bosnjak?
Multimedia Artist
Your film is about?
It is a video work that examines the shift between the two types of media practice: the film/movie (as the moving picture) and the photography (as the static image). How far can one go when analysing and comprehending these two media. The film – which directly originates from a photograph – here in an ontological way becomes a photograph, since that what is being filmed is the still frame, in other words a static frame. The specific photo punctum and the sound imply that it is a video recording, but habit and perception make us believe it is in fact a photograph. This piece of work actually proposes the idea that there is only a slight difference between the two media depending on their perceptive and technological context.
How did you start with film? And do you have an educational background in art or film?
Yes. I start to work with video and film about 7 years ago.
Could you explain how you work, what themes or concepts and what is important to you?
When I have some kind of idea, immediately I start working on film.
Where do you get your ideas or influences from?
From video art and some famous artists.
How does the title relate to the work, and how do you find a fitting title?
Randomly...
How does content relate to the form of your work?
Mathematicaly
How important is sound in film, and if you use sounds, do you create your own or use existing?
Sound and audio is very important.
How do you finance your projects (by yourself, sponsors or subsidy)?
By myself...
Nowadays everyone with the right equipment can create videoart, good, bad or ugly?
It is cool.
What possibilities of the web are yet to be explored? Which dangers do you see ahead?
There are no dangerous. Just good stufs and abilities.
Video broadcasting platforms on the internet, why or why not?
Just why, there is no why not.
In what category would you place your work; cinema or art. And is there a difference between those?
Yes. I am doing video art.
How important is the reaction to your film by the audience?
Important.
What is your next project about?
I dont know.
< overview
Miroslav Trifunović
Marija Pikić
Željko Milošević
Igor Svrdlin
Darko Kurtović
Vedrana Miletić
Amel Ugarak
Dragan Lambić
Sandra Jokić
Branko Deretić
Vesna Đurić
CountryBosnia and HerzegovinaEdition2009 Screenings3th Kratkofil Film Festival, Banja Luka, Bosnia
< overview
Interview
Multimedia Artist
Your film is about?
It is a video work that examines the shift between the two types of media practice: the film/movie (as the moving picture) and the photography (as the static image). How far can one go when analysing and comprehending these two media. The film – which directly originates from a photograph – here in an ontological way becomes a photograph, since that what is being filmed is the still frame, in other words a static frame. The specific photo punctum and the sound imply that it is a video recording, but habit and perception make us believe it is in fact a photograph. This piece of work actually proposes the idea that there is only a slight difference between the two media depending on their perceptive and technological context.
How did you start with film? And do you have an educational background in art or film?
Yes. I start to work with video and film about 7 years ago.
Could you explain how you work, what themes or concepts and what is important to you?
When I have some kind of idea, immediately I start working on film.
Where do you get your ideas or influences from?
From video art and some famous artists.
How does the title relate to the work, and how do you find a fitting title?
Randomly...
How does content relate to the form of your work?
Mathematicaly
How important is sound in film, and if you use sounds, do you create your own or use existing?
Sound and audio is very important.
How do you finance your projects (by yourself, sponsors or subsidy)?
By myself...
Nowadays everyone with the right equipment can create videoart, good, bad or ugly?
It is cool.
What possibilities of the web are yet to be explored? Which dangers do you see ahead?
There are no dangerous. Just good stufs and abilities.
Video broadcasting platforms on the internet, why or why not?
Just why, there is no why not.
In what category would you place your work; cinema or art. And is there a difference between those?
Yes. I am doing video art.
How important is the reaction to your film by the audience?
Important.
What is your next project about?
I dont know.
< overview